The exhibition is presented by Palm Heights, a hub for arts and culture. Now, more than ever we need to come together around arts and culture that bucks the general norms and opens up new dialogue.”
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We are excited to support for the first time a major exhibition during Miami Art Week. Gabriella Khalil stated, “In keeping with our commitment to provide alternative formats for contemporary culture around the world, we support programs that are aligned with our mission and encourage cross-cultural collaboration. There is pornography with sanctity, hedonism with decadence, but there are also tidal waves of swelling climactic joy.” “This is about indulgence amidst scarcity. “The artworks included are a proposal to exfoliate the exoskeletons of our collective desire and fear, to circumnavigate the edges of our hungering, our wanting”, continued Lukov.
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Works on loan from major private collections will be on view such as Theaster Gates’s Reliquary, Clarity Hayne’s Genesis, Marilyn Minter’s Pamela Anderson and works from the iconic series Four Horsemen of the Apocalypse by Paul Pfeiffer as well as his Caryatid (Rios). Early and rarely-seen works by Carlos Betancourt and Carlos Motta will be presented, as well as new works by Gabriel Rico and new, never-before-seen photographs by Tosh Basco. Taking over an unlikely Art Deco space in the heart of South Beach, where Lincoln Road meets Washington Avenue, where anesthetized urban mall shopping meets bikini-clad bombshells and boxing buffs, amidst the vestiges of a bygone south beach-past of tattoo parlors, sex shops and strip clubs, the exhibition presents a multiplicity of interpretations on skin.Īmong the historic works on loan to the exhibition like Lynda Benglis’s Eat Meat (1969/1975), Jane Dickson’s Peepseries (1992-96) and Zhang Huan’s 1⁄2 (Meat + Text) (1998), are new pieces created specifically for the exhibition by Raúl de Nieves, Gonzalo Fuenmayor, Sheena Rose, Moises Salazar and Eduardo Sarabia. Riley, Florencia Rodriguez Giles, Sheena Rose, Moises Salazar, Eduardo Sarabia, Hank Willis Thomas, Urara Tsuchiya, Juana Valdes, Kennedy Yanko and Jwan Yosef.
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Fallah, Gonzalo Fuenmayor, Nicholas Galanin X Merritt Johnson, Theaster Gates, Generic Art Solutions, Clarity Haynes, Micol Hebron, Camille Henrot, Zhang Huan, Jesse Krimes, Marilyn Minter, Maynard Monrow, Carlos Motta, Paul Pfeiffer, Elizabeth Prentis, Gabriel Rico, Erin M. and USA, whose work is diverse in terms of genre, trajectory, and perspective include Derrick Adams, Isabelle Albuquerque, Tosh Basco, Lynda Benglis, Carlos Betancourt, Raúl de Nieves, Jen DeNike, Jane Dickson, Amir H. There is a desire to understand what touch can be now-the ecstasy after global isolation.”Īn international roster of artists from Argentina, Barbados, China, Colombia, Cuba, France, Japan, Mexico, Syria, U.K.
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This is an opportunity to explore skin as a site of potential transmission, of hand-sanitized stickiness, of lost contact. “There is an inherent violence and vulnerability, as well as a promise of pleasure, that comes with being in one’s skin. “Having skin in the game is about power, danger, currency, play, joy, indulgence as well as the taboo, the voyeuristic and the hedonistic," said Lukov, an independent curator based in Los Angeles on her inspiration for the exhibition.
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The exhibition, which is free and open to the public, will be on view from November 29–December 10, 2021. It seeks to establish a dialogue with the erotic and has through lines that touch on game, color, race, the hunt, sport, religious iconography and competition.
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The exhibition is about touch, transmission, and skin-the potential, vulnerability and risk contained therein-as a boundary to protect from danger or as a porous border to receive. Skin in the Game, an exhibition of work by 35 diverse artists, curated by Zoe Lukov and presented by Palm Heights, is a collective offering.